A Reels editing service built to hold attention.

Your footage, and one sentence on what the video needs to do — sell, teach, or hold attention. We handle selection, structure, grade, and sound from there. A reference video you like helps but isn't required.

Yes. One long-form edit can become a set of vertical clips, each cut to stand alone — not just cropped excerpts. We deliver 16:9, 9:16, and 1:1 as your platforms need.

Revision rounds are agreed in the scope before we start, so there's no meter running. You give timestamped notes; we return a numbered cut. It's a calm loop, not a negotiation.

It depends on footage volume and finish level — a talking-head edit and a graded brand film are different jobs. We commit to a delivery date in the scope and hold it.

Three tiers on this page — from $500 for one edit (Single Reel), from $1,500 for a six-video batch (Reel Pack), or from $3,500/month for a running 15-reel pipeline (Monthly Content). Where you land depends on footage volume and finish level — send a brief for an exact number within 24 hours.

For a single one-off video, a freelancer can work fine. Once you're publishing on a schedule — six reels, fifteen a month — a service with defined revision rounds, a committed delivery date, and a consistent grade across every video holds up better than managing an individual's calendar. That's the gap between the Single Reel tier and the Reel Pack / Monthly Content tiers.

Reel Pack is six edits — a fixed batch for a project or a launch. Monthly Content is 15 reels a month, run as an ongoing pipeline for brands publishing on a real cadence. Most businesses start with a Reel Pack to test the workflow, then move to Monthly Content once posting becomes routine.

Yes — the service covers long-form, shorts, and ads, all cut in DaVinci Resolve with a full color grade. A talking-head long-form edit and a 30-second ad are different jobs with different pricing, which is why the exact number comes from a brief, not a flat rate.

This is a post-production service — we edit what you send. If you don't have footage yet, get in touch before you shoot; a five-minute conversation about the goal (sell, teach, or hold attention) up front saves reshoots later.

DaVinci Resolve for the cut and color grade, After Effects for motion graphics and titles. Resolve grew out of Hollywood color-grading work, which is why the grade holds up rather than reading like a preset filter.

Yes — captions and on-screen text are part of the motion graphics and titles work in After Effects, built for your brand rather than dropped in from a template pack, and cut to the specs each platform export needs (16:9, 9:16, 1:1).

Your footage is yours; we're editing it, not acquiring it. The final export you receive is yours to publish and reuse — any specifics beyond that are covered in the scope agreed before we start.

We mix and balance whatever audio and music you provide as part of the sound cleanup and mix. Sourcing a licensed track isn't listed as an included service on this page — if you need one, flag it in your brief and we'll fold it into the scope.

Send everything usable, not just your favorite takes — more raw material gives more to build a story from, not less. There's no minimum; a single relevant clip can become a video if that's genuinely what you have.

For one raw clip cut with text overlays, you can pay less elsewhere. For a story-first edit with a color grade, custom motion graphics, and a sound mix — built to be watched to the end rather than scrolled past — $500 is the entry point of what that costs to do properly, which is why the Reel Pack and Monthly Content tiers exist for anyone posting regularly.

Monthly Content is scoped for 15; if your posting schedule runs heavier than that, say so in the brief and we'll quote the difference rather than force you into two overlapping plans.